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Perhaps the most liberating archetype to emerge is the unhinged, mature villain. The "Karen" stereotype—a middle-aged white woman using privilege as a cudgel—has been translated into high art. In The Last Duel, Jodie Comer plays a victim, but the true mature performance belongs to a supporting player. More illustrative is Nicole Kidman in Being the Ricardos (2021) or Jessica Chastain in The Eyes of Tammy Faye (2021). These women play figures who refuse to be liked. The query refers to an episode of the

Recent years have seen an "intensified biographical focus" on mature women, with some industry veterans successfully challenging hegemonic notions of aging. These women play figures who refuse to be liked

Analyze the history of ageism in Hollywood and how it's being fought.

: Recent years have seen a rise in "silvering screen" films where women over 50 are essential to the plot. High-profile examples include Frances McDormand in and Hannah Waddingham in , both showcasing success at different stages of life.