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Title: Narrative Interlinking in Hindi Cinema: A Study of Four Connected Hindi Films

Abstract

This paper explores the phenomenon of interconnected storytelling in Hindi cinema by examining four films that share direct or thematic links—be it through shared characters, universes, or socio-political commentary. Using examples such as the Gangs of Wasseypur duology, Sarkar trilogy, Munnabhai series, and Dhoom franchise, the paper argues that multi-film links enhance audience engagement, world-building, and narrative depth. The focus is on how “4-link” structures (four films tied by continuity, prequels/sequels, or spin-offs) create a cohesive cinematic ecosystem.

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