Based on your request for Kodak 5218 (Vision2 500T negative) and Kodak 2395 (Digital Motion Picture Film) LUTs, here are options for obtaining these film emulation looks:

If the look feels too heavy, drop the "Key Output" or "Opacity" to about 70%. This lets some of your original camera color peek through for a more natural feel. Download Resources

  • Type: Tungsten-balanced motion picture negative (ISO 500).
  • Characteristics: Released in the mid-2000s, 5218 was renowned for its fine grain structure for its speed and excellent skin tone reproduction. It had a softer contrast curve compared to modern Vision3 stocks, offering a flatter starting point with wide dynamic range.
  • Role: This is the "input" of the look. It captures the image with a specific gamma curve and color response (accurate but slightly warm skin tones, muted greens).

Saturation: Natural, film-mapped colors that avoid the "electric" look of digital sensors. How to Use a Kodak 5218 + 2395 LUT

: Offers free professional-grade PFE LUTs for DaVinci Resolve, including Kodak 2383 and 2393, which share similar characteristics to the 2395 print look. Film Borders Kodak 2393 LUT : A free 2393 print emulation available on CineColor Vision LUT